Still image from the 1957 film The Wrong Man.

The Wrong Man

Directed by Alfred Hitchcock

A musician is mistaken for a vicious thief, with devastating results.

1957 1h 45m Suspense/Mystery TV-PG

Expires: April 20th


CAST
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Alfred Hitchcock, Director
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Alfred Hitchcock
Director

1

Henry Fonda, Christopher Emanuel
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Henry Fonda
Christopher Emanuel "..

2

Vera Miles, Rose Balestrero
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Vera Miles
Rose Balestrero

3

Anthony Quayle, Frank D. O'Connor
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Anthony Quayle
Frank D. O'Connor

4

Harold J. Stone, Lt. Bowers
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Harold J. Stone
Lt. Bowers

5

Charles Cooper, Det. Matthews
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Charles Cooper
Det. Matthews

FULL SYNOPSIS

As is his custom, Christopher Emanuel "Manny" Balestrero, a string bass player at New York City's Stork Club, returns home to Jackson Heights after the club closes just before dawn. His wife Rose is still awake, suffering from a toothache, and confides her anxiety about their inability to pay for having her tooth extracted. The couple, who are rearing two young boys, live frugally and have weathered their share of financial distresses. Remembering Rose's insurance policy, Manny suggests that they can borrow against it to pay for the procedure and plans to look into it when the office opens. Later, after promising to return at 5:30 to give music lessons to his sons, Manny visits his ailing father and then goes to the insurance company to see about the loan. Although he does not notice, the clerks become nervous in his presence and decide among themselves that he looks like the man who robbed them a month ago. The police, alerted by the insurance clerks, wait outside Manny's home and pick him up on his doorstep at 5:30. Without allowing him first to speak to his wife and without telling him why he is being taken into custody, they drive him to the station. There, after asking the bewildered Manny about his finances, the police conclude that he has a motive to steal money. They drive him to several stores that have been robbed in the past and ask the proprietors if he is the man who robbed them. When many of the victims express uncertainty about Manny being the...


VIDEOS
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Dave Karger Intro
Hosted Intro
This Is A True Story...
Movie Clip
Do That Again
Movie Clip
Booked For A Holdup...
Movie Clip
I Don't Dare Look
Movie Clip
Original Trailer
Trailer

ARTICLES
One night in l953, Christopher Emmanuel Balestrero, a bass player at Manhattan's Stork Club, was walking home when he was accosted by two policemen. The detectives presented Balestrero to several witnesses who identified him as an armed robber, and soon the hapless musician found himself behind bars. Despite his protests of innocence, he stood trial; though the proceeding resulted in a mistrial, his life became a shambles and his wife snapped under the pressure, eventually being committed to a mental hospital. The police did find the criminal before Balestrero's new trial could open, and he was set free, but not before having been put through the machinery of New York's jail and legal system. Manny Balestrero's story caught the eye of Alfred Hitchcock after reading a Life Magazine article, and it immediately appealed to the director. Hitchcock sought out playwright Maxwell Anderson, on the strength of his stage version of The Bad Seed, but the screenplay that Anderson turned in had an oddly detached quality that was at odds with what Hitch was looking for. The director then turned to screenwriter Angus McPhail to fix the various problems with Anderson's script. The two proceeded to visit all the locations of the story and the real Balestrero's life. In keeping with Hitchcock's scrupulous attention to detail and verisimilitude, the director sought out the Balestrero family's summer resort in upstate New York, and even Ossinning's Greenmont Sanitorium, where the...

ARCHIVES
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 Lobby Card from the movie 'The Wrong Man'
The Wrong Man
Lobby Card

NOTES
Before the opening credits, producer-director Alfred Hitchcock, appearing onscreen in silhouette, introduces the film as being a different kind of suspense story than he had made in the past because it is true, adding that "elements are stranger than the fiction he made before." Shots of the Stork Club in New York City are then shown under a written prologue: "The early morning hours of January the fourteenth, nineteen hundred and fifty-three, a day in the life of Christopher Emanuel Balestrero that he will never forget..." During the opening credits, the following acknowledgment appears between the writers' credits and the rest of the crew credits: "This picture made with the cooperation of The Department of Commerce and Public Events, City of New York."
       After the film the following epilogue appears: "Two years later, Rose Balestrero walked out of the sanitarium completely cured. Today she lives happily in Florida wi...

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