Still image from the 1950 film To Please a Lady.

To Please a Lady

Directed by Clarence Brown

A ruthless race-car driver falls for a crusading journalist out to clean up the sport.

1950 1h 31m Romance TV-G

Expires: April 25th


CAST
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Clarence Brown, Director
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Clarence Brown
Director

1

Clark Gable, Mike Brannan
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Clark Gable
Mike Brannan

2

Barbara Stanwyck, Regina Forbes
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Barbara Stanwyck
Regina Forbes

3

Adolphe Menjou, Gregg
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Adolphe Menjou
Gregg

4

Will Geer, Jack Mackay
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Will Geer
Jack Mackay

5

Roland Winters, Dwight Barrington
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Roland Winters
Dwight Barrington

FULL SYNOPSIS

Regina Forbes, a glib syndicated columnist known for her hard-hitting exposes and tantalizing high society gossip, is determined to write a profile on midget race car driver Mike Brannan. Mike, a former Marine, is despised by racecar driving fans because of his ruthless and dangerous tactics on the racetrack. After watching a televised broadcast of a midget race and a television interview with Mike, Regina goes to the race track to see Mike in person. She meets Mike just before his next race, but Mike shows little interest in Regina's story and the prospect of nationwide publicity. During the race, Mike displays the dirty tricks that made him famous, causing accidents and forcing other cars off the track at crucial moments. Mike wins the race but Joe Youghal, the driver of one of the cars he caused to crash, dies. Afterward, Regina asks Mike to explain the death of Youghal and another driver he forced off the track in an earlier race, but Mike dismisses both deaths as part of the profession and shows little remorse. Regina writes a scathing piece on the incident, and the following day, when her column appears in the newspapers, racetrack operators everywhere begin to worry that the bad publicity will mean the end of the races. To protect themselves, the owners ostracize Mike and bar him from future races. After being rejected at one speedway after another, Mike tries to race under an alias but is exposed by a local newspaper in the town of Bainsville. Mike becomes furious...


VIDEOS
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Original Trailer
Trailer

ARTICLES
In To Please a Lady (1950) Clark Gable stars as Mike Brannon, a thrill-seeking race car driver whose ruthless tactics cause a crash that results in another driver's death. Barbara Stanwyck plays Regina Forbes, an influential newspaper columnist who is determined to get him permanently banned from the professional racing circuit. The pair engages in an explosive battle of wills while fighting off an attraction to each other that threatens to spin out of control. The distinguished Clarence Brown (Anna Karenina [1935], National Velvet [1944]), directed To Please a Lady. It was the eighth and final film he worked on with Clark Gable, who was also his good friend. Brown manages to pull off some of the most thrilling racing sequences ever filmed in To Please a Lady. He captures the raw excitement of the speedway by throwing the viewer right into the middle of the action, capturing the energy of the pit crew in action, the zooming car engines, and the roar of the crowd. To make the racing scenes as authentic as possible, director Brown used a good deal of actual professional racing footage. Gable did some of his own driving for close-ups, while a stunt driver took the wheel for the more dangerous shots. For the film's gripping climax at the Indianapolis 500, the cast and crew went on location to the famous Indiana speedway for three weeks. While there cinematographer Hal Rosson used up to six camera crews at a time to capture the action of actual rac...

NOTES
According to a January 1951 article in the racing magazine Speed Age, Clark Gable informed M-G-M that he wanted to appear in an automobile racing picture a short time after he visited Indianapolis in 1947. The studio spent two years searching for the right script for Gable and eventually came up with a story written by Barré Lyndon and Marge Decker. According to a news item in Daily Variety, M-G-M paid $50,000 for the film rights to Lyndon and Decker's story. Various contemporary news items in Daily Variety relate the following information about the production: Robert Pirosh worked on the screenplay for several months before withdrawing from the assignment in December 1949. Pirosh reportedly left the picture because of a creative dispute with Dore Schary, Vice President in Charge of Production at M-G-M, and the extent of his contribution to the released film has not been determined. The screenwriting assignment was eventually handed to Lyndon and Decker.
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