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Experience the gorgeous new restoration of what many believe to be Satoshi Kon's (Perfect Blue, Paprika) greatest work, Millennium Actress.

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A minor traffic citation spirals into an all-consuming obsession for a neurotic young woman in this intimate, disquieting, sharply conceived comedy.

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After affiliating with Pathé in late 1916, Thanhouser produced only feature-length dramas. In 1917 the studio had a roster of only four stars, none of them a commercial match for the personality-stars created by the publicity machines of other studios. Frederick Warde, like his Thanhouser colleague Jeanne Eagels, was one of the most talented and famous stage actors in New York City, and was the perfect choice for the popular title character of this 1766 English novel adaptation. The production vindicated the new feature-length movie format by restoring several characters, plot complications and atmosphere that had been truncated in Thanhouser’s 1910 version of less than one-sixth the length.

Dr. Primrose, the vicar of Wakefield, enjoys life with his wife and five children. His two daughters, Olivia and Sophia, are courted by two apparent gentlemen, Mr. Burchell and Squire Thornhill, who is Dr. Primrose's landlord.

Dr. Primrose, the vicar of Wakefield, enjoys life with his wife and five children. His two daughters, Olivia and Sophia, are courted by two apparent gentlemen, Mr. Burchell and Squire Thornhill, who is Dr. Primrose's landlord. But when Mr. Burchell is supposed to have seduced and abandoned Olivia, the Primrose family finds its fortunes dwindling in every sense.

The Vicar of Wakefield

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